Today we are releasing an update to Premiere Pro CC 2015, which includes multiple bug fixes and stability improvements and is recommended for all users. You can install the update from the Creative Cloud desktop application or by logging into your Creative Cloud account. Alongside the stability enhancements, a new feature has been added which allows masks to be saved with effects presets. Key issues fixed in this release are listed below Performance and Stability Heavy memory usage with Lumetri YUV Vectorscope Improve AVCintra 100 performance Importing many stills results in a crash Crash when attempting to adjust a mask on a Lumetri effect Hang when switching Lumetri Scopes to any other than Waveform Crash on Windows if you open the Premiere preferences with invalid device settings Premiere crashes when attempting to open a project that has an effect mask applied to the Fast Color Corrector video effect The keyboard shortcut for legacy Source Settings was missing Timeline panel auto-scrolls and follows mouse when no button is pressed Timeline panel Mute buttons change state when playing/scrubbing sequence Audio Audio distortion playing clip in track with multichannel master Buzzing audio distortion when switching Switch Audio multicam cameras during playback. Round tripping AAF results in random missing track items Multimono clips in multichannel sequences do not play all audio channels Audio crossfade transitions cause A/V sync offset when Round tripping FCP XML Exporting timeline to AAF stalls near end of export Volume set to minimum value, has no effect on channel volume Performance issues with Multi-cam edit with 40+ audio channels. Audio meters are lost when moving focus from trim window to timeline Audio meters do not function when opening a project. Audio Track Mixer and Audio Clip Mixer controls do not function after re-opening a project. Audio Pops and clicks playing cut points in the timeline after source monitor scrub or playback Crash when recording VO with transmit enabled and audio out is set audio device Audio waveforms disappear in Source Monitor when a clip is opened a second time Using “Write” mode in Audio Track Mixer automation does not record keyframes Workflow Closed Captioning MXF closed caption embedded files with AVI-I are not decoding properly / being recognized Closed Captioning With some files, captions will not display in the Source Monitor — captions also take a long time to load Masks do not match the direct manipulation of the mask in the program window Sync Settings workspaces or keyboard shortcuts into Premiere CC 2015 that were created in CC 2014 Using Sync Settings once disables External Pref Management
AssalamualikumWr.Wb. Berikut ini adalah penjelasan tutorial lengkap, Cara Instal Adobe Premiere Pro CC 2015 + Full Version Permanen Terbaru, pokoknya kalian
Learn All the Updates in Premiere Pro CC 2018 Featuring Intelligent Color Match and has released Premiere Pro CC 2018 available now for all Creative Cloud subscribers. At the center of the release are new smart color and audio workflows, powered by Adobe's artificial intelligence Adobe Sensei. Learn how to use the Color Match, Auto-Ducking, and Comparison View in Premiere Pro CC 2018 As well as the updated Essential Graphics panel, the new Learning Workspace, User Voice Community, and lots more!Adobe's NAB 2018 marketing focuses on the combined power of the Creative Cloud video and audio applications. This post only covers the new features specific to Premiere Pro CC, not After Effects CC or Audition CC. For example, we do not cover the new Open Premiere Pro Projects in is a LONG post with a lot of deep insights. Features are not organized by popularity, so make sure you scroll all the way through! WARNING Premiere Pro CC 2018 is a point update and will overwrite the existing CC 2018 version. It can not be installed side-by-side. You can roll back to the previous version of Premiere Pro CC 2018 in the Creative Cloud app. Color MatchPremiere Pro CC 2018 introduces Color Match, the first shot matching color tool in the Lumetri Color panel. Color Match leverages the artificial intelligence of Adobe Sensei to analyze a selected Reference frame and make smart color adjustments. Compare the looks of two different shots across a sequence of shots and match colors while retaining skin tones with a single click. All changes made are visible and accessible to the user and can be manipulated further if necessary. Color Match is found under the Color Wheels tab, now called "Color Wheels & Match." Using the new Comparison View more on this later, users can match the overall color of a shot to any frame in the active sequence with a single click. All Color Match adjustments are dialed in with the Color Wheels, where the results can be manually refined. A separate Face Detection option can intelligently adjust for skin tones, making Color Match even more Color Match in 3 Steps Click the Comparison View button in the Color Wheels & Match section of the Lumetri Color panel. This activates the Apply Match the slider under the Reference frame to select the shot in your sequence you want to match Apply Match. Adjust the Color Wheels as long as the Reference clip or image is in the active sequence, you can Color Match your clips to anything! Here are two examples of how to get creative with Color Match in your workflowTest stock footage with Color Match before Match your clips using stills from your favorite films and music no doubt Color Match will simplify the color workflows for many editors. We want to remind our readers that, while we love the convenience and accuracy of Color Match, it is not a replacement for the knowledge and expertise of a colorist. We encourage our readers to pursue understanding the art of shot matching, and not become handicapped by this wonderful MORE Color Match Shots Official Adobe help page Comparison View Shot or Frame ComparisonThere is a new Comparison View in the Program monitor in Premiere Pro CC 2018 As seen in the Color Match workflow above, it can be enabled directly in the Lumetri Color panel. There is also a new Comparison View button in the default layout of the Program monitor control bar. Split your program monitor display horizontally, vertically, or view full images side by side to compare an image before and after color grading. Easily turn the active Lumetri Color effect for a selected shot on or off directly from the Lumetri Color panel. Reset all the Lumetri Color panel selections for a shot with a single click. Shot or Frame ComparisonIt's important to note that Comparison View has two modes shot comparison and frame comparison. Shot comparison will display two different frames and has the Reference frame timecode, Go to Previous/Next Edit controls, and Timeline slider. Frame comparison will show the before/after state of a single frame. You can toggle between them with the aptly named "Shot or Frame Comparison" button. Notice below how the monitor names change from "Reference, Current" to "Before, After." Side-by-side, Vertical Split, and Horizontal SplitFor both shot and frame comparison, there are three different comparison views. In addition to the default Side-by-Side, Comparison View also has Vertical and Horizontal split views. When in Vertical or Horizontal split view, you can manually adjust the split by dragging on the center line. Clicking away to a different split view and back again will reset it to the center. Comparison View More Than Just a Color ToolComparison View is worthy of it's own featurette because it can be used for more than just Color Match, or color correction for that matter. It can be used to compare anything in your sequence, like effects or graphics. Basically, if you can think of a visual before and after scenario, Comparison View can show it. Here are just a couple examplesWarp StabilizerShot restoration denoising, sharpening, etc.Motion Graphic Template changesFonts and text placementLumetri Color Scopes Comparison ViewAnother great thing about Comparison View is the Lumetri Scopes will mimic Comparison View, including side-by-side, vertical, and horizontal split views. Use Lumetri Scopes in combination with Comparison View to achieve precise shot matching. Bypass and Reset Lumetri Color EffectsThe Lumetri Color panel now has its own FX bypass button in the top left corner of the panel. It's a feature that makes toggling color grades on and off much easier. Set a custom keyboard shortcut for "Bypass Lumetri Color Effect" so you can quickly do before and after comparisons of your grade. There's also a new Reset Effect button in the top right corner of the Lumetri Color panel, making it easier to start your grade from scratch, instead of manually reseting the controls. Lumetri Color Custom LUT DirectoriesThe version of Premiere Pro CC 2018 will scan a new directory folder structure for custom LUTs and automatically install them in the Lumetri Color panel. Here's the catch you have to manually add the directory yourself. Simply follow these directions from Adobe LUTs copied to the "Creative" folder will appear in the Creative tab of the Lumetri Color panel. LUTs copied to the "Technical" folder will appear in the Basic Correction tab. Video Limiter EffectAn updated Video Limiter effect is found under the Color Correction effects. New presets as well as some "under-the-hood image processing" has been added to it. And just to state the obvious, Video Limiter applies to both white and black levels. Apply Video Limiter to a troublesome clip, or to an adjustment layer above the entire sequence. When applying it to specific clips, make sure the Video Limiter is after any color adjustments, otherwise it will give you a false reading. Select the appropriate legal range for your delivery specifications under the Clip Level drop down. Choose your desired amount of "Compression before clipping" 3%, 5%, 10%, or 20%. This applies a soft knee compression that brings the colors back in range, avoiding a hard clip. Check the box to enable the Gamut Warning to see specifically where illegal colors and compression is being applied in the frame. You can even customize the color of the Gamut Warning. Because why not! Video Limiter settings can also be applied to a sequence on export. Under the Effects tab in the Export Settings window, select the appropriate Clip Level for your deliverable and choose your desired "Compression before Clipping." Export with confidence knowing your video will not exceed legal range for your broadcast. Again, another reminder to our readers that slapping the Video Limiter effect is no substitute for the skill of a colorist. We encourage you to learn the skill of grading your footage and staying within legal range of your delivery MORE Video Limiter effect Official Adobe help page Enhanced Essential Graphics PanelToggle Animation in the Essential Graphics PanelThe Position, Anchor Point, Rotation, Scale, and Opacity controls in the Essential Graphics panel can now be clicked to toggle keyframe animation. Animate more quickly with the ability to toggle on animation for Position, Rotation, Anchor Point, Scale, and Opacity by clicking their icons in the Essential Graphics panel and then adjusting the property in the panel or by editing the graphic layer directly in the Program Monitor. Animate the text or graphic directly in the Program monitor without having to go into the Effect Controls panel. Motion keyframes can be manually refined in the Effect Controls panel as they normally would. LEARN MORE Animating using the Essential Graphics panel Official Adobe help pageCreate Color Gradients in the Essential Graphics PanelUsers can now add color gradients to shape layers directly in the Essential Graphics panel. Click the Fill color to open the Color Picker window, and in the top left drop down menu choose Linear or Radial gradient. Edit the colors, opacity, and midpoints using the sliders in the Color Picker. You can also adjust the angle and the color points directly in the Program monitor. Use gradients to give your graphics more color, depth, and even to create faux 3D shapes. Motion Graphic Templates and Adobe StockImproved Motion Graphics Template Interface and New ControlsThe redesigned Essential Graphics panel and new controls make it more intuitive to edit Motion Graphics Templates. Premiere Pro CC 2018 allows users to adjust the 2D position, rotation, and scale of elements. An improved interface and new controls in the Essential Graphics panel make it easier to customize Motion Graphics templates created in After Effects, including adjusting the 2D position, rotation, and scale of elements. Edit text layers of the graphic by clicking on them in the Program Monitor. Search and Preview Motion Graphics TemplatesA new search bar and search filters make finding .mogrt templates locally, in the cloud, or online easier. A better browsing and managing experience lets you universally search and preview Motion Graphics templates from your local templates folder, Creative Cloud Libraries, or Adobe Stock right in the Essential Graphics panel to quickly find the template you need. Search My Templates for templates installed in the local Motion Graphic Templates directory and/or saved to Creative Cloud Libraries. Click Adobe Stock to browse high-quality Motion Graphics Templates that can be licensed directly in the Essential Graphics panel. You can choose to filter Adobe Stock results by Free or Premium templates. In both My Templates and Adobe Stock, support for hover scrubbing makes it easier for users to preview templates and quickly find the right one for their project. "My Templates" can be favorited by clicking the little star icon in the bottom right corner of the template thumbnail. Click the star by the search bar to limit search results to just favorites. To the left of the star is the new Info icon which displays useful information about the template. Such asTitleDurationFile SizeFontsKeywordsUsers can add custom keywords to templates to make them more searchable. Replace Motion Graphics Templates WorkflowYou know how you can replace clips in the Timeline and retain the adjustments you've made to the original clips? Now you can do that with .mogrt files! Swap updated versions of Motion Graphics Templates like you would other clips and your customizations will be preserved. Simply hold Option/Alt and drag the new Motion Graphics Template version from the Essential Graphics panel onto the original in the Timeline. Adobe says "where possible, customizations will be preserved." The volume of music can be set to automatically lower when dialogue, sound effects, or other audio clips are detected, eliminating the need to manually adjust every point in the mix. Ducking refers to lowering the music level beneath a dialogue track using audio keyframes; a very tedious process when done manually. Now, thanks again to the power of Adobe Sensei, all the audio keyframes are created automatically! Use Auto Ducking in 3 StepsOnce you've tagged your audio clips with the appropriate Audio Type in the Essential Sound panel, Ducking can be used on any audio, not just music and dialogue. Create dynamic audio keyframes with Ducking in 3 easy steps Set the "Sensitivity," threshold that, when exceeded, will trigger the how much you want the ducked clip to be "Reduced by." Choose how smooth you want the ducking to be with the Fades the Generate Keyframes button and voila! You can manually adjust the audio keyframes in the Timeline as needed. Fun fact the Ducking is not adding keyframes to the clip volume, it's actually adding an Amplify audio effect to the clip and adding keyframes to that. All-New Timecode WindowFor some editors, a timecode display is critical, and for others it's just a way to make the edit bay look more impressive to a client. In Premiere Pro CC 2018 the Timecode panel has a lot more practical use! Right-click in the all-new Timecode panel to customize the display options. There are two Display options to choose from Sequence and Source Track. The Timecode panel can display things like Master timecode, Duration, Remaining, In to Out, etc. Under Format you can select a custom frame rate or just stick with the Source Timebase. You also can add and remove lines of timecode, giving you a variety of options for tracking elements in your sequence. You can even choose to show Clip Names in the Timecode panel, which could save a hard squint at the nice thing is you can save your timecode displays as presets and assign 10 of them as keyboard shortcuts. The new Timecode panel is not the most exciting feature. But it's enough make you say, sure, I'll spend some of my screen real estate on that. The odd thing about this panel is it doesn't have the header or settings like other panels. So there's no way to dock it!LEARN MORE View timecode in the Timecode panel Official Adobe help page Copy/Paste Includes Sequence MarkersIf markers are a part of your workflow, you're going to be very happy with this new setting. In Premiere Pro CC 2018 Sequences Markers can be copied and pasted and retain their information, position, and duration. Enable this feature under the Markers menu > Copy Paste Includes Sequence Markers. Turn this setting on and Sequence Markers over a copied clip will also be copied and pasted into a new sequence. For markers with durations, the In point of the marker must be part of the copied region. One practical use for this new setting is copying and pasting Sequence Markers between selects sequences or pancake timelines. Adobe Immersive EnvironmentNew Navigator WindowUsers can navigate the Adobe Immersive Environment with the new Navigator window in Premiere Pro CC 2018 For example, it can act as a rear view mirror, allowing users to see behind them without having to physical look around the sphere. The Navigator can be docked and interacted with using the supported VR hand controls. Support for Windows Mixed RealityAdded support for Windows Mixed Reality in Premiere Pro CC 2018 expands the number of compatible Head Mounted Displays HMDs that can be used with Adobe Immersive MORE Set up VR headsets Official Adobe help pageAdditionally, improvements have been made to the Immersive Effect VR Plane to Sphere and how it renders the edges of graphics. Enhancements for Team ProjectsThe April 2018 release of Premiere Pro expands support for Team Projects in 3 waysYou can see which collaborators are online and offlineYou can embed linked Team Projects within a Team Project, as well as import local Premiere Pro projectsYou can open past read-only versions to import assets into the current projectSince Team Projects only apply to Creative Cloud for Teams and Enterprise subscribers, we recommend you visit the official Adobe release notes to learn more about these new features. New Hardware Acceleration and UnSupported FormatsNew Supported Camera FormatsPremiere Pro CC 2018 adds support for the following 3 camera formatsCanon C200Sony VeniceRED camera Image Processing Pipeline [IPP2]New Accelerated HardwarePremiere Pro CC 2018 adds support for the following hardware acceleration" encoding on Windows 10 with 6th Generation or later Intel Core™ processors and Intel Graphics enabled"" and HEVC encoding on Mac OS systems with supported hardware"Visit the official Adobe release notes for hardware acceleration to learn moreSupport for QuickTime 7 Formats DiscontinuedSupport for QuickTime 7 era formats and codecs is officially ended. Users were alerted to this change in Premiere Pro and Now when you attempt to use these legacy formats, you will get a warning notification saying it is no longer supported. Not to worry, QuickTime compatible codecs such as ProRes, DNxHD, and Animation are natively supported in Premiere Pro. But, older formats like Cinepak and Sorenson are MORE Dropped support for Quicktime 7 era formats and codecs Official Adobe help page New Learning Premiere Pro WorkspaceIn any effort to make the onboard experience easier for new users, Premiere Pro CC 2018 introduces a new Learning Workspace. Beginners can learn the basics of Premiere Pro right in the program. The new Learning Workspace can be accessed under Window > Workspaces > Learning. Users can open demo projects and assets directly in Premiere Pro. At the time of this writing there are 5 available lessonsUnderstanding the Premiere Pro InterfaceImporting MediaPreparing Your Clips for EditingEditing Your ClipsExporting Your Project ContentFollowing the written and animated instructions in the dedicated Learn panel is simple and intuitive. Click through each of the steps to complete the lesson. At the end, you can return to the menu or begin your own project. New Bug Report/Wishlist FormAdobe has switched over to UserVoice, to host their customer feedback intake. The new Premiere Pro User Voice Site replaces the former Bug Report/Wishlist form. Users can now submit bug reports and feature requests in the "Enter your idea" field. Adobe recommends limiting your submissions to one topic at a time. The real cool thing is you can vote on which features you would like to see, as well as sort by hot, top, and new submissions. Anyone want to start a new feature campaign and raise some votes? What are your thoughts on Premiere Pro CC 2018 Did we miss anything? Are you impressed with the Color Match and Auto-Ducking features? How about the new Essential Graphic updates? Talk to us in the comments below! This is why we do what we do!
AdobePremiere Pro CC 2015 (and earlier) users can experience unexpected behavior after upgrading to Mac OS X 10.11 (El Capitan). These issues will be addressed in a future release. However, Adobe recommends that users remain on Mac OS X 10.10.x for now. One common occurrence is that when video is paused, the image takes on a yellow-green hue Encontre recursos úteis sobre atualizações recentes do Premiere Pro. Guia do usuário do Adobe Premiere Pro Versões beta Visão geral do programa Beta Página inicial do Premiere Pro Beta Recursos beta Secure Secure Transport SRT Gerenciador de cores Modo de recuperação Introdução Introdução ao Adobe Premiere Pro Novidades no Premiere Pro Práticas recomendadas para atualizar o Premiere Pro Atalhos de teclado no Premiere Pro Acessibilidade no Premiere Pro Perguntas frequentes Notas de versão Premiere Pro Requisitos de hardware e sistema operacional Recomendações de hardware Requisitos de sistema Requisitos de driver de GPU e GPU Renderização acelerada por GPU e codificação/decodificação de hardware Criação de projetos Criar um projeto Projetos abertos Mover e excluir projetos Trabalhar com vários projetos abertos Trabalhar com atalhos de projeto Compatibilidade reversa de projetos do Premiere Pro Abrir e editar projetos do Premiere Rush no Premiere Pro Práticas recomendadas criar seus próprios modelos de projeto Workspaces e workflows Espaços de trabalho Perguntas frequentes Importação e exportação no Premiere Pro Trabalhar com painéis Controles de toque e gesto do Windows Usar o Premiere Pro em uma configuração de dois monitores Instalar e ativar o Usar o com o Premiere Pro e o After Effects Integração do Adobe Workfront e Perguntas frequentes Captura e importação Captura Captura e digitalização de gravação Captura de vídeo HD, DV ou HDV Captura e recaptura em lote Configurar o sistema para captura HD, DV ou HDV Importando Transferir arquivos Importação de imagens estáticas Importação de áudio digital Importação do Avid ou Final Cut Importação de arquivos de projeto AFF do Avid Media Composer Importação de arquivos de projeto XML do Final Cut Pro 7 e do Final Cut Pro X Formatos de arquivo Formatos de arquivo compatíveis Compatibilidade com Blackmagic RAW Digitalização de vídeo analógico Trabalhar com timecode Edição Editar vídeo Sequências Criar e alterar sequências Alterar configurações de sequência Adicionar clipes a sequências Reorganizar clipes em uma sequência Localizar, selecionar e agrupar clipes em uma sequência Editar com base em sequências carregadas no Monitor de origem Simplificar sequências Renderização e pré-visualização de sequências Trabalhar com marcadores Emenda de origem e destinos de faixa Detecção de edição de cena Vídeo Criar e reproduzir clipes Corte de clipes Sincronização de áudio e vídeo com a opção Mesclar clipes Renderizar e substituir mídia Desfazer, histórico e eventos Congelar e reter quadros Trabalhar com taxas de proporção Áudio Visão geral de áudio no Premiere Pro Mixer de faixa de áudio Ajuste de níveis de volume Editar, reparar e aprimorar o áudio usando o painel Áudio essencial Redução automática de áudio Remixar áudio Monitorar volume e deslocamento do clipe usando o Mixer de clipe de áudio Balanceamento e deslocamento de áudio Áudio avançado - Submixes, downmixing e roteamento Transições e efeitos de áudio Trabalhar com transições de áudio Aplicar efeitos ao áudio Medir o áudio usando o efeito Radar de volume Gravar mixagens de áudio Edição de áudio na linha do tempo Mapeamento de canal de áudio no Premiere Pro Usar o áudio do Adobe Stock no Premiere Pro Edição baseada em texto Edição baseada em texto Edição baseada em texto Perguntas frequentes Edição avançada Fluxo de trabalho de edição de multicâmera Configurar e usar o Head Mounted Display para vídeo imersivo no Premiere Pro Edição de VR Práticas recomendadas Práticas recomendadas misturar áudio mais rápido Práticas recomendadas edição eficiente Edição de fluxos de trabalho para filmes Efeitos e transições de vídeo Visão geral dos efeitos e transições de vídeo Efeitos Tipos de efeitos no Premiere Pro Aplicar e remover efeitos Predefinições de efeitos Reestruturação automática de vídeo para diferentes canais de redes sociais Efeitos de correção de cores Alterar a duração e a velocidade dos clipes Camadas de ajuste Estabilizar gravação Transições Aplicação de transições no Premiere Pro Modificação e personalização de transições Recorte de metamorfose Títulos, gráficos e legendas Visão geral do painel Gráficos essenciais Títulos Criar um título Gráficos Criar uma forma Desenhar com a ferramenta Caneta Alinhar e distribuir objetos Alterar a aparência do texto e das formas Aplicar degradês Adicionar recursos de design responsivo nos gráficos Instalar e usar modelos de animações Substituir imagens ou vídeos em modelos de animações Usar modelos de animações orientados por dados Legendas Fala para texto Baixar pacotes de idioma para transcrição Trabalhar com legendas Verificar ortografia e Localizar e substituir Exportar texto Fala para texto no Premiere Pro Perguntas frequentes Práticas recomendadas fluxos de trabalho gráficos mais rápidos Desativação do Designer de títulos existentes no Premiere Pro Perguntas frequentes Atualizar títulos herdados para gráficos de origem Animação e uso de quadro-chave Adição, navegação e configuração de quadros-chave Animação de efeitos Usar o efeito Movimento para editar e animar clipes Otimização da automação de quadro-chave Movimentação e cópia de quadros-chave Exibição e ajuste de efeitos e quadros-chave Composição Composição, canais alfa e ajuste da opacidade do clipe Mascaramento e rastreamento Modos de mesclagem Correção e gradação de cores Visão geral workflowso de cor no Premiere Pro Cor automática Seja criativo com cores usando os looks Lumetri Ajustar cores usando as curvas de saturação, matiz e RGB Corrigir e corresponder cores entre tomadas Utilização de controles de HSL secundários no painel Cor de Lumetri Criação de vinhetas Looks e LUTs Escopos Lumetri Gerenciamento de cores de exibição Mapeamento de tons da linha do tempo HDR para emissoras Ativar suporte HDR para DirectX Exportação de mídia Exportar vídeo Gerenciador de predefinições de exportação Fluxo de trabalho e visão geral para exportação Exportação rápida Exportação para a Web e dispositivos móveis Exportação de imagem congelada Exportação de projetos para outros aplicativos Exportação de arquivos de OMF para o Pro Tools Exportar para o formato Panasonic P2 Configurações de exportação Referência de configurações de exportação Configurações básicas de vídeo Configurações de codificação Práticas recomendadas exportar mais rápido Edição colaborativa Colaboração no Premiere Pro Introdução à edição de vídeo colaborativa Criar projetos de equipe Adicionar e gerenciar mídia no Team Projects Convidar e gerenciar colaboradores Compartilhar e gerenciar alterações com colaboradores Exibir salvamentos automáticos e versões do Team Projects Gerenciar projetos de equipe Projetos de equipe vinculados Perguntas frequentes Fluxos de trabalho de formato longo e episódico Guia do fluxo de trabalho de formato longo e episódico Utilização de produções Como os clipes funcionam nos projetos de uma produção Práticas recomendadas trabalhar com produções Trabalhar com outros aplicativos da Adobe After Effects e Photoshop Dynamic Link Audition Prelude Organização e gerenciamento de ativos Trabalhar no painel Projeto Organização de ativos no painel Projeto Reprodução de ativos Pesquisar ativos Bibliotecas da Creative Cloud Sincronizar configurações no Premiere Pro Consolidar, transcodificar e arquivar projetos Gerenciamento de metadados Práticas recomendadas Práticas recomendadas Aprendizagem da produção de transmissão Práticas recomendadas trabalhar com formatos nativos Melhorar o desempenho e a solução de problemas Definir preferências Redefinir e restaurar preferências Trabalhar com proxies Visão geral do proxy Fluxo de trabalho de assimilação e de proxy Verificar se seu sistema é compatível com o Premiere Pro Premiere Pro para Apple Silicon Eliminar a cintilação Ordem de campo e de entrelaçamento Renderização inteligente Suporte à superfície de controle Práticas recomendadas trabalhar com formatos nativos Knowledge base Problemas conhecidos Problemas corrigidos Corrigir problemas de travamento do Premiere Pro Não é possível migrar as configurações após atualizar o Premiere Pro Vídeo em verde e rosa no Premiere Pro ou no Premiere Rush Como gerenciar o cache de mídia no Premiere Pro? Corrigir erros ao renderizar ou exportar Solucionar problemas relacionados à reprodução e ao desempenho no Premiere Pro Extensões e plug-ins Instalação de plug-ins e extensões no Premiere Pro Plug-ins mais recentes de desenvolvedores externos Monitoramento de ativos e de mídia offline Monitoramento de ativos Uso do Monitor de origem e do Monitor de programas Utilização do Monitor de referência Mídia offline Trabalhar com clipes offline Criação de clipes para edição offline Revinculação de medInstia offline O Adobe Premiere Pro é o principal software de edição de vídeo para cinema, TV e Web. Ferramentas de criação, integração com outros aplicativos e serviços da Adobe e a potência do Adobe Sensei ajudam a transformar gravações em filmes e vídeos elegantes em um fluxo de trabalho contínuo. Com a integração direta com o Premiere Rush, é possível capturar gravações e iniciar a edição em todos os dispositivos, em qualquer lugar. Versão mais recente A versão atual e mais recente do Adobe Premiere Pro é a de maio A atualização do Premiere Pro inclui correções importantes e melhorias solicitadas pelos usuários. Esta atualização é recomendada a todos os usuários. Para obter mais informações, consulte Requisitos de sistema Para obter os requisitos de sistema mais recentes, consulte Requisitos de sistema do Adobe Premiere Pro. Para obter uma lista dos requisitos de sistema mais recentes para outros produtos da Creative Cloud, consulte Requisitos de sistema da Creative Cloud. Recursos online Participe de nossa comunidade de usuário e encontre respostas para suas perguntas Fórum do Adobe Premiere Pro. Saiba mais sobre como baixar, instalar e começar a usar o software Baixar e instalar aplicativos da Creative Cloud Gerenciar seus aplicativos e serviços da Creative Cloud Obtenha ajuda do produto, inspiração e suporte Guia do Usuário do Adobe Premiere Pro. Envie uma solicitação de recurso ou relate um erro UserVoice. Suporte ao cliente Visite o site de suporte para obter assistência com uso do produto, vendas, registro e resolução de problemas. Para ajuda sobre produtos, além de instruções, inspiração e suporte da comunidade, acesse Contrato de licença É necessário aceitar o contrato de licença e os termos de garantia para usar este produto. Visite para obter detalhes. Aviso aos usuários Uma conexão com a Internet, uma Adobe ID e a aceitação do contrato de licença podem ser necessários para ativar e usar esse produto. Este produto pode ser integrado a determinados serviços online da Adobe ou hospedados por terceiros ou permitir o acesso a eles. Os serviços Adobe estão disponíveis somente para usuários com pelo menos 13 anos de idade e exigem a aceitação dos termos de uso adicionais e da política de privacidade online da Adobe consulte Os aplicativos e serviços podem não estar disponíveis em todos os países ou idiomas e podem estar sujeitos a alteração ou cancelamento sem aviso prévio. Podem ser aplicáveis taxas adicionais ou cobranças de associação. Copyright © 1987-2023 Adobe Incorporated and its licensors. All rights reserved. Adobe, the Adobe logo, and Premiere Pro are either registered or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Recursos relacionados Fale conosco Se tiver alguma dúvida sobre como editar na linha do tempo, entre em contato conosco por meio da comunidade do Premiere Pro. Adoraríamos ajudar. .cara update adobe premiere pro cc 2015
